Justin Chang

For the past few years I've gotten in the habit of not only ranking my year-end favorites, but pairing them together thematically. I saw no reason to quit the habit this year, given how many great movies I saw in 2019 and how many of them seemed to be in conversation with each other.

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

The emotionally turbulent drama Waves revolves around an African American family living in South Florida, and I mean "revolves" quite literally. In an early scene, the camera swivels a full 360 degrees around the inside of a car, as a teenager named Tyler Williams and his girlfriend, Alexis, drive along the oceanfront.

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

Martin Scorsese has made so many terrific crime pictures that you would be forgiven for doubting whether he had another one in him. The great surprise of his haunting and elegiac new movie, The Irishman, is that it doesn't play like a retread so much as a reckoning.

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2019 Fresh Air. To see more, visit Fresh Air.

DAVE DAVIES, HOST:

I was fortunate enough to go into Parasite knowing almost nothing about it. Bong Joon-ho's brilliant new movie packs the kinds of stunning, multi-layered surprises that deserve to be experienced as fresh as possible. I'll tread as cautiously as I can, but suffice to say that Parasite is a darkly comic thriller about two families: the Parks, who are very rich, and the Kims, who are very poor.

Pages