John Powers

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DAVE DAVIES, HOST:

The poet W.H. Auden once wrote:

Private faces in public places

Are wiser and nicer

Than public faces in private places.

If any TV show bears that out, it's surely The Crown, the endlessly enticing Netflix drama about the reign of Queen Elizabeth II now entering its fourth season.

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Back when the Nazis were running roughshod over his homeland, Bertolt Brecht wrote a short poem that asked, "In the dark times, will there still be singing?" And it gave a reply: "Yes, there will be singing. About the dark times."

For nearly a century, spy stories were a male preserve, one dominated by the likes of James Bond, or — at the classier end — John le Carré. That has finally begun to change, especially on television.

The U.S. and Iran have had contentious relations ever since the Iranian Revolution in the late 1970s overthrowing the shah, and the subsequent hostage crisis — in which militants held 52 U.S. citizens for more than a year. Decades of scenes showing mobs burning the U.S. flag on the streets of Tehran have led many Americans to wonder why people in such a faraway country are so angry with the United States.

For an answer, you couldn't do better than to start with Coup 53, an exhilarating new historical documentary that unfolds with the pace and complexity of a thriller.

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

DAVID BIANCULLI, HOST:

Copyright 2020 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

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